Yasuhiro Ogawa, Hokkaido University

In its perennial phase tragedy is a metaphysics of death, death seen preeminently as eternity, silence, that is to say, as mystery. The individual "pass[es] through nature to eternity" (1.2.73) and "the rest is silence" (5.2.358). These memorable phrases from Hamlet sound like a resigned acceptance of the common human condition of death, which makes us realize that the concern of tragedy is coming to terms with death—the final mystery. Yet the philosophical acquiescence will come only after Todesschmerz—if we may be permitted to appropriate the term coined by a famous thanatologist in analogy with Weltschmerz¹—is experienced to the utmost in its most agonizing fear and trembling and is made, figuratively speaking, analgesic.

The way Hamlet dramatizes this Schmerz is impressive; "the subject of Hamlet is death"² to the extent that this cannot be said of any other Shakespearean tragedy. But the...