Golding is, primarily, a religious novelist: his central theme is not the relationship of man to man but the relationship of man, the individual, to the universe; and through the universe, to God.
The symbolism of his novels is, in essence, theological. Both Lord of the Flies and The Inheritors are concerned with the primal loss of innocence. Pincher Martin, as the last chapter proves, explicitly concerns the sufferings of a dead man who has created his own Purgatory. It is a moral axiom of Golding's that man, and man alone, introduced evil into the world: a view which is hardly separable from the doctrine of Original Sin. To a critic who suggested that good was equally an exclusive human concept, he replied: 'Good can look after itself. Evil is the problem.' This attitude suggests both the emotional strength of his work and the intellectual paradox underlying it. He represents himself, theologically, as what used to be loosely termed a Deist; and yet the whole moral framework of his novels is conceived in terms of traditional Christian symbolism.
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