Fables are those narratives which leave the impression that their purpose was anterior, some initial thesis or contention which they are apparently concerned to embody and express in concrete terms. Fables always give the impression that they were preceded by the conclusion which it is their function to draw…. (p. 577)

[At the end of Lord of the Flies the] abrupt return to childhood, to insignificance, underscores the argument of the narrative: that Evil is inherent in the human mind itself, whatever innocence may cloak it, ready to put forth its strength as soon as the occasion is propitious. This is Golding's theme, and it takes on a frightful force by being presented in juvenile terms, in a setting that is twice deliberately likened to the sunny Coral Island of R. M. Ballantyne. The boys' society represents, in embryo, the society of the adult world, their impulses and convictions...