One never has to read more than a few pages of a William Golding novel to know that it contains the essentials of good fiction. First and foremost, one feels the energy that has been put into it—the intensity of mental concentration that one responds to as if it were a strong physical act. Second, one notes the precision and discipline that funnel the energy into the chosen course, and without which energy is just a sprawling nuisance. "The Spire" is only 215 pages long, but a bad author would have run twice the length in breathless pursuit of the same end. For these reasons alone "The Spire" must be welcomed and admired….
In brief, "The Spire" is a short, tight book that shows the author's hand sharply at work pruning, clipping, getting the right word, simplifying the fancy bits, correcting the aim whenever it is off target…. [Golding] can never be accused either of letting his material run away with him or of having no material worth chasing after. All five of his novels illustrate [George Bernard] Shaw's dictum that quality of style and depth of conviction are inseparable mates.
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