Like so much else in his life, his heroic effort to finish his last novel came too late; and the luck which might have kept him alive until he had finished was not with him. He had predicted to Perkins in the middle of December that he could complete a first draft by January 15, and at the rate he was going he might have done so; on December 20 he completed the first episode of Chapter VI. The next day he had a second, fatal heart attack.
Until recently, Susan Glaspell has been little more than "a footnote in the history of drama," remembered chiefly for her association with Eugene O'Neill and the Provincetown Players; her contemporary reputation as one of the two most accomplished playwrights of twentieth-century America may come as a legitimate surprise even to serious students of dramatic history. Her plays have rarely been performed by professional companies and, apart from the often-anthologized Trifles, have been unavailable in print; such marginalization of Glaspell's work is the most obvious way in which her drama can be said to be "on the edge." Its own preoccupation with the limits of experience is another.
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