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Larry Gelbart Critical Essay | Critical Essay by Marvin Kitman

This literature criticism consists of approximately 4 pages of analysis & critique of Larry Gelbart.
This section contains 1,066 words
(approx. 4 pages at 300 words per page)
Purchase our Gelbart, Larry 1923– - Critical Essay by Marvin Kitman

Critical Essay by Marvin Kitman

[With] the premiere of [United States] …, it should be clear that a TV breakthrough has occurred worthy of heavy study…. Yet no one seems to be noticing.

On paper, it's a simple proposition. United States is about marriage…. Familiar as it may sound, though, Larry Gelbart has given us a show that violates all the rules of sitcom, a game as rigid as pinochle.

By American TV standards, Gelbart is a radical, a madman, a bomb-thrower. Instead of the usual frantic half-hour punch-punch of jokes, the scripts of United States, by Gelbart and Gary Markowitz, have an altogether different rhythm. The show is a comedy of observations and insights; it looks for involvement, identification and a laugh. There is a lot of dry material leavened by something that used to be called "wit." Genuine wit coming off the screen today is like a foreign language. My ear needed tuning....
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This section contains 1,066 words
(approx. 4 pages at 300 words per page)
Purchase our Gelbart, Larry 1923– - Critical Essay by Marvin Kitman
Copyrights
Gelbart, Larry 1923– - Critical Essay by Marvin Kitman from Literature Criticism Series. ©2005-2006 Thomson Gale, a part of the Thomson Corporation. All rights reserved.
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