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Garfield, Leon 1921–: Critical Essay by Clive Pemberton

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About 5 pages (1,480 words)
Leon Garfield Summary

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There is a type of book which operates both on an adult and a juvenile level. I am not thinking of books like Robinson Crusoe or Gulliver's Travels, which probe deeply into the human condition and to which the child may bring his own uncluttered and innocent responses, taking from the surface of the work an enjoyable fiction comprehensible within the limits of his own world. Nor do I have in mind those books (Alan Garner's The Owl Service may be one) which have been written with professional competence for a specific market, but which hold within them a range of interpretation that may seriously activate and perhaps even tax the critical and intellectual faculties of an intelligent adult. I am thinking of a third and rarer type of book, one which may well have been written in ignorance of the readership it will eventually find, and which operates successfully on the adult and the juvenile level simultaneously.

I suggest as examples of this an acknowledged classic, Robert Louis Stevenson's Treasure Island … and a modern story of adventure on the sea set in a similar historical period, Leon Garfield's Jack Holborn…. The former was produced when a writer of genius descended into the realm of juvenile fiction. Stevenson's integrity and devotion to his craft would not allow him to produce anything that was not the best he could write. The latter was written when an author whose talent in the field of juvenile fiction was shortly to be recognized set out to write an adult novel. Converging upon the dual level from opposite directions they appeal powerfully to the boy in man as well as the man in boy.

This is a free excerpt of 279 words. There are 1,480 words (approx. 5 pages at 300 words per page) in the full critical essay.

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Garfield, Leon 1921–: Critical Essay by Clive Pemberton from Literature Criticism Series. ©2005-2006 Thomson Gale, a part of the Thomson Corporation. All rights reserved.



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