There are 10 pieces in [The Art of Living], in diverse modes—gothic folktale and fantasy, down-home rural comedy, evocative memoirs of childhood and adolescence in western and northern New York state. Many of the stories focus upon some crisis of artistic expression, nearly all catch a crystalline moment and refract it into a spill of glittering images or sharpedged memories. The book is not experimental in any avant-garde manner; Gardner's too much the medievalist for that. Still, it is marked with impressive surprises at every turn. (p. 51)
Gardner is a master of the economical opening; he gives a reader just enough setting and background to slip him effortlessly into the world of each tale. With voices he's equally adept. He never seems to labor as he shifts from the stylized narrative of Vlemk to the quirky ironic recall of a misunderstood ex-hoodlum to laconic Bible Belt patois (in The Joy of the Just) that would do any of Flannery O'Connor's "good country people" proud.
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