Ernest Gaines's fiction has been characterized from the first by its quiet force. The characters in his several fine books often raise their voices, but the author declines to raise his. These characters are mainly poor, and mostly black; their lives are seldom far removed from the threat of violence, physical or emotional or both. Sooner or later the violence arrives, and the characters cry out at one another, or to the heavens. Their pain, struggle, bewilderment, joys and agonies are registered with precision and sympathy, but the strong prose that carries their stories is not affected by the fevers or the biases of those it describes.
A swimmer cannot influence the flow of a river, and the characters of Ernest Gaines's fiction—from Catherine Carmier to Miss Jane Pittman, and from Miss Jane to the Rev. Phillip Martin of "In My Father's House"—are propelled by a prose that is serene, considered and unexcited. It is the force of Mr. Gaines's character and intelligence, operating through this deceptively quiet style, that makes his fiction compelling. He is, pre-eminently, a writer who takes his own good time, and in [the case of "In My Father's House"] the result of his taking it is a mature and muscular novel.
This is a free excerpt of 205 words. There are 600 words (approx.
2 pages at 300 words per page) in the full critical essay.
Read the rest of this Criticism with our Gaines, Ernest J. 1933–: Critical Essay by Larry Mcmurtry Access Pass.
