Gaines's strength lies in his quietly compassionate depiction of plantation Blacks in his native Louisiana….
"A Long Day in November," the best piece in Bloodlines (all five are good), is a masterly novella of a young boy, his father and mother, and their world on a Louisiana plantation. There are no technical pyrotechnics here, no violence, but in their place a steadily seen and beautifully rendered picture of family life, alive with the minutiae of day-to-day existence…. The novella is climaxed by two powerful scenes that in less skilled hands would become either ludicrous or melodramatic…. Gaines's fine sense of control, his effective use of dialogue, and the quiet resonance of his scene-building [are evident]…. (p. 238)
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Read the rest of this Criticism with our Gaines, Ernest J. 1933–: Critical Essay by William Peden Access Pass.
