[It was during a period in Europe in 1960 that] I began to keep a notebook. It became a daily ritual to record anything that happened to me which seemed of significance—sensual fragments, incidents, quotations, speculations. Writing now, I find in them the content of all that I can possibly say about my work. (p. viii)
I began working seriously on Hello and Goodbye towards the end of 1963. My notebooks have [an] extensive record of both the genesis of this play and my problems in writing it.
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