[Let us consider Frost's] relation to his material…. [There are] some poems in which no narrator is specified, and others in which the centre of attention has been 'I,' 'he,' 'they,' and even 'we.' Frost has always been conscious of the artistic possibilities of such variation, and one reason for the narrative variety clearly lies in the poet's reluctance to be identified too closely with the speaker of his poems…. The angle of narration depends not on the reflection in subject-matter of autobiographical experience but, as in poets from whom he learned his trade, on the artistic needs of individual poems.
One has only to alter the pronoun in the first line of 'The Most of It' and read,
