The casual reader of Frost's poetry is likely to think of Frost as a nature poet in the tradition of Wordsworth. In a sense, nature is his subject, but to Frost it is never an impulse from a vernal wood. His best poetry is concerned with the drama of man in nature, whereas Wordsworth is generally best when emotionally displaying the panorama of the natural world. "I guess I'm not a nature poet," Frost said … in the fall of 1952. "I have only written two poems without a human being in them." (p. 138)
[We] may recall the epitaph Frost proposes for himself in "The Lesson for Today": "I had a lover's quarrel with the world." This lover's quarrel is Frost's poetic subject, and throughout his poetry there are evidences of this view of man's existence in the natural world. His attitude toward nature is one of armed and amicable truce and mutual respect interspersed with crossings of the boundaries separating the two principles, individual man and forces of the world. But boundaries are insisted upon…. [Even in moments of affinity, or "favor,"] we shall always find the barriers which cannot be crossed…. Man is never completely certain that the earth, the natural world, returns his love.
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