[Just as Dick Francis demonstrates] capabilities both substantial and varied, so too do we find his protagonists—who are in one form or another versions of Francis himself—to be multi-talented individuals…. Sooner or later, of course, all Francis heroes—be they jockeys or trainers or transport pilots or actors or blood-struck agents—must also of necessity become detectives.
In considering the make-up of the Francis hero it is interesting to examine Francis' attitude toward amateurism/professionalism. Clearly he has little interest in conduct or effort that might be considered "amateurish," nor in professionals who do not take their professions seriously. Just as clearly he greatly admires the true professional—the man who goes about his work with the confidence based on full knowledge of what is required and an awareness that he has the skills to attend to those demands. Francis' greatest affection, however, seems reserved for what might be called the "amateur professional"—the figure who does what he does (with all the talent and commitment of the true professional) for the love of the thing, and not for money. (p. 239)
This is a free excerpt of 176 words. There are 996 words (approx.
3 pages at 300 words per page) in the full critical essay.
Read the rest of this Criticism with our Francis, Dick 1920–: Critical Essay by Barry Bauska Access Pass.
