In its internal consistency, La Strada is more than a remarkable example of personal style. We may then ask: What is Fellini's image of the world we live in, his conception of man and the ethic he advances? Men are separated by astral distances and do not realize their unity in the human condition. Obstinately and gropingly they quest for understanding and belonging: everyone needs someone….
Undeniably, man's highest quest is to give meaning to his existence in the world. But neither pure matter (here, a pebble) nor man as a pure existent have being, or else this quest, expressed through man's conscious action, would be superfluous. In Fellini's Pantheism, however, the meaning of things and people is pre-existent to man's conscious actions; it is offered from above, metaphysically, by a spiritual agent. Meaning precedes existence. Therefore, there is no need—and no place, even—for man to create his own meaning through action of his free will, by imposing human significances upon things….
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