As a fictionist Faulkner was not of any school, nor would he have abetted or blessed the recruitment of one…. In each work, and throughout each, he is his own man; and at his truest and best he has not yet been proved imitable. In various ways at many points he brilliantly intensified and refined effective fictional practices, by apt extensions of known artistic techniques…. [His] accomplishments remain unparalleled; and with the conspicuous tangentiality and cultural dispersions in more recent American fiction, it becomes plain that no one since him draws any such strong bow so closely aimed. What is still to be fully appreciated … is that despite some extravagances and excursions into the baroque, Faulkner stands as the central and preeminent American novelist, and if that fabulous entity the great American novel has already loomed above the horizon, it must be one of his major displays of...