How can we be "in" history and "outside" it at one and the same time? The problem that dogged Faulkner throughout his career can be stated as simply as that, but not his answer to it—because, of course, the answer does not lie in this expressed opinion or in that but in the imaginative discovery of Yoknapatawpha County. Loving his inheritance and hating it, involved with its mythology and yet well aware of the difference between history and myth, Faulkner was in a sense obliged to create his fictional world—a paradigm of his region existing beyond established categories, where all that he had found in the South and felt about it could be absorbed into a coherent form of knowledge….
[Whenever] in his later years—when he was inclined to be more expansive on such matters—Faulkner was asked to talk about his home and his relationship to it, those two words, "loving" and "hating," came up almost inevitably, closely linked together. (p. 201)
