SOURCE: "Flannery O'Connor, Sin, and Grace: Everything That Rises Must Converge," in The Hollins Critic, Vol. II, No. 4, September, 1965, pp. 1-8, 10.
In the following essay, Sullivan asserts that O'Connor is more successful in carrying out her themes in her short fiction than in her novels, because she is unable to sustain the images and relationships in the longer form.
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