SOURCE: “Scenic Metaphors: A Study of Ionesco’s Geometrical Vision of Human Relationships in the Bérenger Plays,” in Papers on Language and Literature, Vol. 23, No. 2, Spring 1987, pp. 175-91.
In the following essay, Tener treats the use of d&eacaute;cor and other visual and aural theatrical metaphors as the dramatic expression of internal and external forces that surround the protagonist in Ionesco’s Bérenger plays.
This is a free excerpt of 63 words. There are 7,287 words (approx.
24 pages at 300 words per page) in the full critical essay.
Read the rest of this Criticism with our Eugène Ionesco: Critical Essay by Robert L. Tener Access Pass.
