SOURCE: “The Anti-Spiritual Victory in the Theater of Ionesco,” in Modern Drama, Vol. 2, No. 2, May 1959, pp. 29-35.
In the following essay, Pronko argues that in Ionesco’s theater impersonal, anti-spiritual forces, symbolized in physical objects, dominate and conquer humankind, and that dead things are victorious over that which is alive.
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