After the little canters of Waiting for Godot, Beckett composed a substantial "chronicle" for Endgame, providing one of the best examples of extended narrative as an essential part of drama: the presence of story is unmistakable here, both to the audience and to characters within the play. Hamm refers by name to his "chronicle" and is self-conscious in his narration of it, aware of himself assuming the role of historian, aware of himself adopting a special voice and manner setting off these words from his other speech. His chronicle itself has to do both with origins and with ends; it "accounts for" an entire world by presenting critical events and interpreting their meaning. Hamm is the Moses of a garden desolate, the Polidore Virgile of a wrecked kingdom. He records bereft existence, a modern inversion of "providential history." The whole point of Endgame lies in the interrelationship between this chronicle, this value-laden record of past events, and the words and actions which make up the dramatic present of the play. The play ends when the narrative ends.
The chronicle is presented at length in two different versions at two different times. The occasions for recital of the story, the interruptions and editorial changes all suggest the extent to which this narrative is emotionally and philosophically important to Hamm, a way to give "meaning" to his life, a way to justify his behavior. First reference to the story occurs about halfway through the play, after Hamm and Clov have attempted various other diversions to make their existence bearable. Hamm's announcement "It's time for my story" is much like Winnie's in Happy Days; there is a sense that the best distraction has been saved till last. The story—Hamm corrects the word to "chronicle"—is one which Clov states "you've been telling yourself all your days." It has an ongoing continuity suggested by Hamm's comments "where was I?" and "No, I've done that bit." It gets Hamm through difficult moments and leads him to that final moment when "time is over, reckoning closed and story ended."
This is a free excerpt of 341 words. There are 5,528 words (approx.
18 pages at 300 words per page) in the full critical essay.
Read the rest of this Criticism with our Endgame: Critical Essay by Kristin Morrison Access Pass.