For his novel of the American scene, Ralph Ellison uses American authors to support major ideas, ideas controlled by the dominant image of vision inherent in the title of Invisible Man and fully exploited in the fiction. References to American authors are sophisticated jokes, often very funny. As aware as Mark Twain that humor is a weapon, and as aware as T. S. Eliot that juxtaposition of allusions contributes to a total effect, Ellison plays with names of American authors and teases with allusions to American literary works. Flashing briefly here and developed there, the references reveal illuminating and humorous support of themes concerned with identity, with black leadership, and with the state of American society, a contemporary Ellisonian waste land.
Booker T. Washington, Emerson, Whitman, and T. S. Eliot figure prominently in comic handling of names and/or allusions, the tone set in the opening lines of the Prologue. To declare the quality of his invisibility, the naive narrator informs readers that he is "not a spook like those who haunted Edgar Allan Poe."
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