The heroes (or antiheroes) of Stanley Elkin's novels have Anglo-Saxon names like Dick Gibson, James Boswell, and George Mills, but once they start to talk any traces of British reserve disappear. And how they love to talk! Once an Elkin character starts a spiel, in fact, there is no stopping him. Not that anyone would want to—the monologues, even those of the shaggy-dog variety, are ebullient, funny, and filled with insights about the sad intricacy of things in this "griefhouse" we inhabit.
Who is this compulsive storyteller, this Niagara of words? If you are not yet acquainted with him you are certainly not alone—Elkin has always been a writer's writer, admired by his fellow craftsmen but undiscovered, for the most part, by a wider public. This obscurity persists even though he has been steadily turning out stories and novels for 25 years…. Blending farce and pathos, comedy and disintegration, he contrives, in book after book, to pluck laughter from despair. And he does so in some of the richest prose being written today….
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