The Living End is Stanley Elkin's comic fable of Heaven, Hell and the Last Days, a small book big in every way but length. And I should say at once that this "triptych" … is the work of a master, a story eloquent in its gestures and amazing for the ease with which it moves from a liquor store hold-up in Minneapolis to the "wall-to-wall Wall" of damnation, from Heaven as a "theme park" to Hell as "the ultimate inner city." Half farce, half morality play, The Living End puts God himself on trial, the Lord faced off against the damned who in their countless number equal Everyman. Quite possibly only Stanley Elkin possesses the exact blend of irreverence and care, of hard-core realism and fabulous invention, to have pulled this off.
Elkin knows that clichés are the substance of our lives, the coinage of human intercourse, the ways and means that hold our messy selves and sprawling nation intact. To exploit their vigor and set them forth with unexpected force has been the basis of his success as a novelist; no writer has maneuvered life's shoddy stock-in-trade into more brilliantly funny forms….
This is a free excerpt of 192 words. There are 401 words (approx.
1 page at 300 words per page) in the full critical essay.
Read the rest of this Criticism with our Elkin, Stanley 1930–: Critical Essay by Henry Robbins Access Pass.
