'Gerontion' must be seen as central to Eliot's poetic practice; here he initiates and exhaustively explores permanent features of his basic idiom. Here also he enacts the logic—the social as well as verbal logic—of the conversion of words into the Word. Thereafter, the Word within the word is immanent as doctrinal justification for each poetic act. 'Gerontion' may well end in Eliot, as [Hugh] Kenner claims, one whole phase of Anglo-American linguistic practice; but emphatically it inaugurates that marriage of doctrine and poetic which determines our final sense of Eliot's career. (p. 83)
'Gerontion' by common agreement is a dramatic monologue in which the drama has collapsed into incoherence and the monologuist has disintegrated into fragments of his own memory. So much is indicated by the epigraph, a quotation from the Duke's speech to Claudio in Measure for Measure:
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