SOURCE: "From the Margins: Edward Albee and the Avant-Garde," in American Drama, 1940-1960: A Critical History, Twayne Publishers, 1994, pp. 201-14.
In the excerpt below, Adler contends that Albee's early short plays "serve as a culmination or summing up of many of the central emphases of post-World War II American drama."
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