In U.S.A., Dos Passos uses four "forms" or "frames," each of them deriving directly from his representative intention, his desire to get at the truth about his time with any available instrument….
There is the camera eye, an intermittent sequence of prose poems in an impressionist style…. The writing takes on the lyricism of a quasi-Joycean stream-of-consciousness and the emphasis is almost always upon the look and feel of things, mostly apart from any narrative context. At first glance the texture seems the crudity of an undergraduate determined to be modern, but upon examination this entirely disappears and one finds that all is based on faithful observation and is never pretentious, nor false. But these passages have no direct relation to the main story, although at times there is some link….
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