SOURCE: “The Romatic Metaphysics of Don DeLillo,” in Contemporary Literature, Vol. XXXVII, No. 2, Summer, 1996, pp. 258–77.
In the following essay, Maltby identifies Romantic qualities of the “visionary moment” in White Noise, The Names, and Libra, comparing those qualities to the critical consensus that characterizes DeLillo's works as quintessentially postmodern writing.
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