Neil Diamond Critical Essay | Critical Essay by William Bender

Critical Essay by William Bender

In the past three years, Diamond has turned out enough hit songs (among them: Kentucky Woman and Sweet Caroline) to keep the current champion, Burt Bacharach, watchful and busy. But where Bacharach plods as a performer, Diamond dances.

In person, Diamond has a naturalness and relaxed cool that are fine foils for rhythms as infectious as a Mardi Gras parade. His voice still has a touch of the crooner, but it can turn soulful. His songs delve ingeniously into hard and soft rock, blues, gospel, even country rock—a range of styles that Bacharach does not even try to match. (p. 46)

[His album Tap Root Manuscript] is ample proof of Diamond's versatility. Side I contains Cracklin' Rosie (a reference to the joys of loosening up with a sparkling pink wine), a Top Ten single for two months last fall, as well as [his remake of Bob Russell's and Bobby Scott's]...
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