SOURCE: Witt, Jonathan. “Song of the Unsung Antihero: How Arthur Miller's Death of a Salesman Flatters Us.” Literature & Theology 12, no. 2 (June 1998): 205-16.

In the following essay, Witt investigates the emotional effect that the character of Willy Loman has on theatergoers of Death of a Salesman, noting that Loman's conflicting obscurity and fame make him appealing to a wide range of audiences.

Many nineteenth and twentieth century writers seek to convey the experience of a lowly character chafing against his obscurity. But how can an author convey such an experience when the very attention of a readership confers upon the character social significance and dignity, even fame? Exactly how obscure can Jude be when he has a four hundred page novel written about him, and written by Thomas Hardy no less? This is a problem I call the audience's paradox, a special form of the observer's paradox. In essence...