Forgot your password?  

Critical Essay | Critical Essay by Carol Hanbery MacKay

This literature criticism consists of approximately 27 pages of analysis & critique of Death.
This section contains 7,811 words
(approx. 27 pages at 300 words per page)
Purchase our Death in Nineteenth-Century British Literature - Critical Essay by Carol Hanbery MacKay

Critical Essay by Carol Hanbery MacKay

SOURCE: "Controlling Death and Sex: Magnification v. the Rhetoric of Rules in Dickens and Thackeray," in Sex and Death in Victorian Literature, edited by Regina Barreca, The Macmillan Press, Ltd., 1990, pp. 120-39.

In the following essay, MacKay explores the strong erotic elements in depictions of death found in particular works of Charles Dickens, George Eliot, and William Makepeace Thackeray.

Shall I believe
That unsubstantial Death is amorous,
And that the lean abhorrèd monster keeps
Thee here in dark to be his paramour?

(Shakespeare, Romeo and Juliet, 5.3.102-5)1

He held her, almost as if she were sanctified to him by death, and kissed her, once, almost as he might have kissed the dead. (Dickens, Our Mutual Friend, p. 764)

Perhaps because sex and death involve such intense, primal emotions, the rhetoric of each often comes to resemble that of the other—that is, an...
(read more)

This section contains 7,811 words
(approx. 27 pages at 300 words per page)
Purchase our Death in Nineteenth-Century British Literature - Critical Essay by Carol Hanbery MacKay
Copyrights
Death in Nineteenth-Century British Literature - Critical Essay by Carol Hanbery MacKay from Literature Criticism Series. ©2005-2006 Thomson Gale, a part of the Thomson Corporation. All rights reserved.
Follow Us on Facebook