Umberto D. | Criticism

This literature criticism consists of approximately 4 pages of analysis & critique of Umberto D..

Umberto D. | Criticism

This literature criticism consists of approximately 4 pages of analysis & critique of Umberto D..
This section contains 978 words
(approx. 4 pages at 300 words per page)
Buy the Critical Essay by Vernon Young

[Umberto D.] may easily be construed as an artless and unbuttered slice of life, a testimony of "naturalism": ostensibly a method of expressing reality without inhibition, without overtones and as far as possible without style. Nothing could be further from the case. Like Shoe Shine or Bicycle Thief, and with justification even more subtle, De Sica's Umberto D.—a masterpiece of compassion …—might be termed super-naturalism if this compound had not been preempted for another kind of experience entirely. The fidelity of De Sica's attention to the plight of the man, Umberto, realistic in its living details, is enriched by a host of modulations working under and through the story line, so delicately registered as to be imperceptible save to that second awareness evoked from most spectators without their being able to define it. Cinematically created, these modulations are not arresting, since they accumulate from thematic relationships...

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This section contains 978 words
(approx. 4 pages at 300 words per page)
Buy the Critical Essay by Vernon Young
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Critical Essay by Vernon Young from Gale. ©2005-2006 Thomson Gale, a part of the Thomson Corporation. All rights reserved.