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Coppola, Francis Ford 1933–: Critical Essay by James W. Palmer

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Francis Ford Coppola
About 4 pages (1,316 words)
The Conversation Summary

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Francis Ford Coppola's The Conversation is a perplexing film about a wiretapper named Harry Caul who becomes involved in a murder. Harry is less a character in the traditional sense than he is a symbol or cipher for modern man immersed in a technological society that undermines human values and thwarts human needs. As a technician in this dehumanizing environment, Harry seems unwilling or unable to relate to people or to take the moral action necessary to change his life or even save the lives of others. Hired by the director of an unnamed corporation, Harry tapes a conversation between the director's wife and her lover. Although this conversation forces Harry to see the terrifying consequences of his work, he remains isolated, alienated, and in a sense unborn because of his inability to make moral choices. (p. 26)

Understanding this complex film is somewhat easier when one recognizes the significance of Harry Caul's name because it is a key to his character and to the visual style and themes of The Conversation…. A caul is a "thin membrane enveloping the foetus, which covers the head of some newly born children: an omen of good fortune with powerful magical properties; it protects sailors from drowning, presumably because it was thought to keep the foetus from drowning in the womb." (pp. 26-7)

This is a free excerpt of 219 words. There are 1,316 words (approx. 4 pages at 300 words per page) in the full critical essay.

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Coppola, Francis Ford 1933–: Critical Essay by James W. Palmer from Literature Criticism Series. ©2005-2006 Thomson Gale, a part of the Thomson Corporation. All rights reserved.

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