SOURCE: A review of Pinocchio in Venice, in The Review of Contemporary Fiction, Vol. 11, No. 3, Fall, 1991, pp. 267-68.

In the following, Horvath offers a favorable review of Pinocchio in Venice.

I'm afraid I know how we may soon hear Pinocchio in Venice described: as tour-de-force postmodern intertextuality and "superposition" amenable to Bakhtinian analysis, as an allegorical account of all of us puppets ravaged by childhood traumas in our yearning for selfhood, as … But let's leave all that for somebody else to say. What Pinocchio in Venice more simply is, amico mio, is a very adult (mature, that is, not pornographic, though often ribald and decidedly irreverent) appropriation of and sequel to The Adventures of Pinocchio, a book already rich in psychological and fabulistic (whoops!) implication (if you don't believe me, check out the Carlo Collodi entry in Children's Literature Review). As such, Pinocchio is perfect source material for...