[Dusklands] was a most authentic sounding diary of an early explorer, a device which allowed [Coetzee] to show the jelling of rigid attitudes and the props needed to establish and maintain the master/servant relationship, which is still the crutch of the South African establishment.
[From the Heart of the Country] continues this probe. Bold in concept, it purports to be the diary of a spinster on an isolated and unspecified desert sheep farm…. The reader soon realizes that these are the untrustworthy ravings of a hysterical, demented individual consumed by loneliness and her love/hate relationship with her patriarchal father…. Her ravings are so unreliable that it is hard to know what to believe, and she herself is drawn into a physically degrading yet spiritually enriching relationship with the [husband of her father's mistress].
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Read the rest of this Criticism with our Coetzee, J(ohn) M. 1940–: Critical Essay by Barend J. Toerien Access Pass.
