SOURCE: Newton, Adam Zachary. “From Exegesis to Ethics: Recognition and Its Vicissitudes in Saul Bellow and Chester Himes.” South Atlantic Quarterly 95 (fall 1996): 979-1007.
In the following essay, Newton deconstructs and compares the idea of facial “recognition” in Himes's If He Hollers Let Him Go and Saul Bellow's The Victim.
This is a free excerpt of 50 words. There are 11,636 words (approx.
39 pages at 300 words per page) in the full critical essay.
Read the rest of this Criticism with our Chester Himes: Critical Essay by Adam Zachary Newton Access Pass.
