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Alejo Carpentier Critical Essay | Critical Essay by Sonia Feigenbaum

This literature criticism consists of approximately 10 pages of analysis & critique of Alejo Carpentier.
This section contains 2,992 words
(approx. 10 pages at 300 words per page)
Purchase our Alejo Carpentier - Critical Essay by Sonia Feigenbaum

Critical Essay by Sonia Feigenbaum

SOURCE: "Music as a Structural Component in Alejo Carpentier's Concierto Barroco and The Lost Steps," in Romance Languages Annual, Vol. 4, 1992, pp. 438-41.

In the following essay, Feigenbaum examines the function of music in Concierto barroco and in the novel The Lost Steps.

In an essay published in El Nacional, April 8, 1948, Alejo Carpentier used the term "marvelous American reality" in referring to the Latin American novel. In 1925, however, the European critic Franz Roh had introduced the comparable term "magical realism." "Magical realism" has been especially applied to narrative fiction. It highlights the effect caused by juxtapositions of two or more elements that are not conventionally associated, thus producing a dialectic of sorts, fusing thesis and antithesis into a synthesis. "Marvelous American reality" goes one step further by attempting to incorporate the search to define an American identity.

Alejo Carpentier juxtaposes several themes in his narrative in...
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This section contains 2,992 words
(approx. 10 pages at 300 words per page)
Purchase our Alejo Carpentier - Critical Essay by Sonia Feigenbaum
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Alejo Carpentier - Critical Essay by Sonia Feigenbaum from Literature Criticism Series. ©2005-2006 Thomson Gale, a part of the Thomson Corporation. All rights reserved.
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