Mr. Capote's principal stylistic innovation [in "Music for Chameleons"] consists of nothing more than setting himself center stage and reconstructing, "in a severe, minimal manner, commonplace conversations with everyday people"; and … the result of this apparently modest experiment—that is, the contents of "Music for Chameleons"—does not immediately strike one as Mr. Capote writing with the full powers at his command. (pp. 472-73)
[While] nearly all of the collection displays the prose style, "clear as a country creek," that Mr. Capote claims to have striven for, it seems something less than the major innovation he has announced in his preface.
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