SOURCE: Gerli, E. Michael. “Liminal Junctures: Courtly Codes in the Cantar de Mio Cid.” In Oral Tradition and Hispanic Literature: Essays in Honor of Samuel G. Armistead, edited by Michael M. Caspi, pp. 257-70. New York: Garland Publishing, Inc., 1995.
In the following essay, Gerli explores what he sees as one of the non-epic voices in the Cantar de mio Cid and argues that the poem shares many common techniques, thematic concerns, and issues found in medieval romance.
This is a free excerpt of 77 words. There are 4,747 words (approx.
16 pages at 300 words per page) in the full critical essay.
Read the rest of this Criticism with our Song of the Cid (Cantar de mio Cid): Critical Essay by E. Michael Gerli Access Pass.