To appreciate Camus fully … it is necessary to encounter as an ensemble his novels, stories, plays, philosophical and lyrical essays, journalistic political criticism, speeches, interviews, and notebooks, as though they formed a single, multivolumed creation like Proust's Remembrance of Things Past or Durrell's Alexandria Quartet. (p. 4)
The reader is likely to get his first concrete indication of Camus's dialectical method from his unorthodox custom of making explicit cross-references between his fictitious works. (p. 5)
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