SOURCE: "Outlaw Princesses," in The New Yorker, Vol. LXVII, No. 15, June 3, 1991, pp. 86-8.
In the following excerpt, Rafferty describes An Angel at My Table as a "perverse exercise in biographical filmmaking," faulting Campion for keeping viewers disoriented and withholding from them a sense of Frame's "inner life."
This is a free excerpt of 49 words. There are 841 words (approx.
3 pages at 300 words per page) in the full critical essay.
Read the rest of this Criticism with our Jane, Campion: Critical Review by Terrence Rafferty Access Pass.
