Like most performers who transcend their genre, Jackson Browne often seems more a symbol than an artist. Singer/songwriter fans find in him the fulfillment of the style's promise: Browne's songs really do merge poetic vision and rock. But there are also those … who find the genre symptomatic of all of rock's current weaknesses. Browne is the epitome of everything they find disagreeable, both lyrically and musically.
It is odd that Browne is surrounded by such certainty of opinion, for ambivalence is the hallmark of his style. He has managed to make confusion an advantage, partly because he never hedges: he knows he doesn't know. The Pretender, the most complete development of his music, is bounded by contradiction. (p. 62)
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