SOURCE: “At the Crossroads of the Nineteenth Century: ‘Benito Cereno’ and the Sublime,” in America's Modernisms: Revaluing the Canon, edited by Kathryne V. Lindberg and Joseph G. Kronick, Louisiana State University Press, 1996, pp. 77-100.
In the following essay, Sussman interprets the sublime and ironic qualities of “Benito Cereno.”
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