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Robert Benchley: Critical Essay by Eric Solomon

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About 20 pages (5,969 words)
Robert Benchley Summary

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He wasn't lazy. He liked to put things off as long as he could. He was a procrastinator. He got his copy done just in the nick of time for the New Yorker. They often had to send runners out to get it. Benchley's law is "Any man can do any amount of work, provided it's not the work he's supposed to be doing." So he would find all manner of things to do rather than start a piece.

During the Depression decade, Robert Benchley wrote nearly seventy-five casual essays for the New Yorker, most of which have been collected in the five books he published in the 1930s—The Treasurer's Report (1930), No Poems (1932), From Bed to Worse (1934), My Ten Years in a Quandary (1936), After 1903—What? (1938). Some of these pieces are brief humorous asides—similar to his contributions of the late 1920s, when he provided many fillers for an issue—some rank among his finest parodies ("How Seamus Commara Met the Banshee"—1932), mock scientific essays ("A Brief Study of Dendrophilia"—1933), false nostalgia ("New Plays for Old"—1930), and the little man's dreams ("Take the Witness"— 1935). Benchley scholarship has taken appropriate notice of these contributions.

This is a free excerpt of 195 words. There are 5,969 words (approx. 20 pages at 300 words per page) in the full critical essay.

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Robert Benchley: Critical Essay by Eric Solomon from Literature Criticism Series. ©2005-2006 Thomson Gale, a part of the Thomson Corporation. All rights reserved.

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