We can probably learn more about a writer from his difficulties than from his triumphs. His struggles reveal his intention and the obstacles that he must overcome to realize it. Most critics, I think, would agree that Saul Bellow's greatest difficulty lies in his plots….
Bellow has two modes: intense, closely textured, moral; and light, energetic, open. The Victim, Seize the Day, and, yes, Herzog represent the former while Augie March, Sammler, and Humboldt represent the latter…. Bellow fears the dangers of constriction, of polishing the life out of a work. (p. 15)
This is a free excerpt of 92 words. There are 2,151 words (approx.
7 pages at 300 words per page) in the full critical essay.
Read the rest of this Criticism with our Bellow, Saul 1915–: Critical Essay by Keith Opdahl Access Pass.
