There are artists whose public performance is so flamboyant … that their contemporaries, repelled or dazzled by the man, have failed to measure his artistic quality. This has been the fate of Brendan Behan…. That Behan's writings have some virtue is allowed—but of what kind is it? For in all assessments I have read of writing in English in the past decade, while significance is bestowed on many a dullard whose productions are deemed, by the critical investigator, to conform to the "trend" or "pattern" he discerns, the name of Behan somehow gets forgotten. This surprises me, for of all the writers of my generation, including myself, the only one who I am certain will be read a century from now, is he.
Or rather, this does not surprise me; for the reasons that make the unwary undervalue his achievement are so evident. Chief of these is that he's an Irish writer…. [We] seem to believe a benevolent magic makes it so easy for Irishmen to be fine writers, that this gift of nature deprives them of true merit. (p. 53)
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Read the rest of this Criticism with our Behan, Brendan 1923–1964: Critical Essay by Colin Macinnes Access Pass.