Brendan Behan's The Hostage is a frenetic play, difficult to sum up and easy to distort…. There is about it an effortless air of madcap fun, which at first reading is rather deceptive. Because of the frolicking atmosphere of jigs and reels, set in the midst of apparently unconnected scenes, the play appears to be a kind of light variety show or vaudeville. However, the riotous nature of the work has obscured its underlying seriousness…. Behan, rather than reinforce Irish devotion to Ireland, examines and reveals the debilitating nature of their senseless idealism. In The Hostage … Behan attacks the traditional Irish dependence on the past.
The title of the play has several meanings and provides a key to understanding Behan's attitude toward tradition and, in particular, the relation of past to present. The title, The Hostage, ostensibly refers to Leslie Williams, the young English soldier who has been taken prisoner by the Irish Republican Army (I.R.A.). (p. 401)
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