SOURCE: “The Opening of All's Well That Ends Well: A Performance Approach,” in Entering the Maze: Shakespeare's Art of Beginning, edited by Robert F. Willson, Jr., pp. 155-67, Peter Lang, 1995.

In the following essay, Styan focuses on Shakespeare's stagecraft in the first scene of All's Well that Ends Well. He calls attention to specific ways in which the text underscores—and actors and directors may further highlight—Helena's grief and isolation. In addition, Styan maintains that the alternation of romance and realism that occurs throughout the play is first manifested in its opening lines.

In the first scene of All's Well, Shakespeare's stage suggests that among its little group of people all is not at all well. This opening, indeed, is another striking example of the playwright's control of his actors at the outset of a play, and of course through them his audience. The action on stage...