Not surprisingly, and not without justice, Ann Beattie has been praised on sociological grounds as the chronicler of this generation. (p. 34)
My own view is that Ann Beattie's sociological realism is superficial, a reflective realism of accurate detail—what songs are in, what clothes, what expressions—rather than the kind of critical realism whose exemplar is Buddenbrooks. As for her artistry, I think she has yet to adapt her laid-back sensibility to the large-scale dynamics of the novel…. [In] Falling in Place one misses that irresistible momentum of conclusion one always feels in a first-rate novel. She drifts and pads just when we want her to get on with it. She can't seem to rein in her characters, either; and she rivals them in her tolerance for gabby potheads who fill her books with clouds of sophomoric banter. (pp. 34-5)
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