When we look back on this period, will the work of Donald Barthelme seem the forerunner of a whole new variety of consciousness or merely a particularly skilled and elegant example of decadence? Great Days … is another emotional and linguistic demolition derby in the characteristic manner: whimsical, elusive, and miraculously inventive.
Barthelme's aesthetic elevates the liberation of pure imagination above all other notions. Bringing novelties into being is his primary objective, and he faces the task with the surefootedness of a tightrope walker and the precision of a clock-maker. He believes utterly in the delights of mind-travel and in the healing powers of dreams. Art, as it embodies these modes, is one of the new human activities, he seems to be saying, to save us from despair.
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